Avantis is a 64 channel / 42 configurable bus mixer platform featuring our 96kHz XCVI FPGA engine with class-leading 0.7ms latency plus add-on processing from our flagship dLive mixing system.

• Dual 15.6” Full HD capacitive touchscreens with gesture control

• 96kHz 64 channel / 42 bus digital mixer

• 24 assignable SoftKeys

• 24 faders, 6 layers

• 12 Analog and 1 stereo AES Inputs

• 12 Analog and 2 stereo AES Outputs

• 1 Stereo AES In / 2 Stereo AES Out

• 2 I/O Ports, both capable of 128×128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE

• Super-tough, full metal chassis

• 96kHz FPGA Processing / XCVI FPGA core with ultra-low latency (0.7ms)

• 64 Input Channels / 42 Bus

• AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones

• Fully assignable layout

• 144 fader strips (24 faders, 6 layers) with optional dedicated master section

• Fully Configurable Mix Architecture

• Continuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows

• dPack Upgraded for Additional dLive Processing

• dPack option adds dLive processing, including 16 Dyn8 engines, plus per-channel zero-latency DEEP Compressors and Dual-Stage Valve preamp

• 12 RackExtra FX slots with dedicated stereo returns

• Two 128×128 I/O Ports for Audio Networking

• 16 DCAs

• Range of Remote Expanders

• SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System

• User configurable rotary controls

• Comprehensive metering with multi-point peak detection

• Internal storage for stereo playback and recording

• USB stereo playback

• BNC Word Clock

Continuity UI

It’s your mixer, so mix your way.

With 15.6″ Full HD touchscreens at the heart of the experience, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the screen.

The faders react on touch to immediately highlight the active channels for instant visual feedback.

The channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank.

Each screen also features a FastGrab tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel.

The whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips.

Integrated Tools

Do More. Faster.

From our next-generation 61-band RTA, with 5m, 15m and 60m history views, through to Shure and Sennheiser RF integration, Avantis is designed to let engineers spend more time mixing and less time worrying about the technology.

dPack

Get acclaimed dLive processing. Inside your Avantis.

Right out of the box, Avantis is loaded with powerful processing tools that will easily meet the demands of most users and applications. Want more options? Upgrade your console with Avantis dPack to get additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added.

dPack Includes

DEEP Processing

Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.

Dyn8

Dyn8 features 4 bands of dynamic EQ and 4 bands of multiband compression for applications including taming vocals, tightening sub-groups or adding sonic glue to a mix. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels.

Everything I/O

I/O Expansion for all Applications

Whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen & Heath audio expander hardware.

Add a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W.

Well Connected

Dante. Waves. And so much more.

For local I/O, Avantis is well equipped with XLR analogue inputs, XLR analogue outputs, plus AES (Stereo In, Stereo Out).

Two additional I/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64×64 and 128×128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH / monitor splits and multitrack recording.

Controllers

A World of Control

Avantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP/IP network.

Applications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.

Avantis Director

Editor & Control. Offline and Online.

Avantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities.

Avantis MixPad

Remote Mixing

Avantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen & Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control

Avantis OneMix

Personal Monitoring

OneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the ‘Admin’ user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.